Flower (1920 CE)

The artwork “Bloem” (1920) by Julie de Graag is a woodcut print on paper, measuring 23 cm x 22.5 cm (9.06 inches x 8.86 inches). It features a stylized floral motif, showcasing de Graag’s signature precision and bold line work. This piece reflects her deep connection to natural subjects, a recurring theme in her artistic portfolio.

“Bloem” was created in 1920 by Julie de Graag, a prominent Dutch artist associated with the Art Nouveau movement. De Graag’s work is characterized by its simplicity and focus on nature, often depicting flora, fauna, and landscapes. Born in 1877, de Graag’s career spanned the early 20th century, a time of great artistic innovation in Europe. Her personal struggles with both physical and mental health heavily influenced her later work, which became progressively darker and more somber. This particular piece was created during the later phase of her career, when her emotional state was deteriorating, reflected in the subdued but powerful depiction of natural forms.

Julie de Graag was known for her dedication to her craft despite battling chronic illness. She withdrew from public life, retreating into nature, where she found inspiration for much of her work. It is said that “Bloem” was part of her quiet reflection on the transience of life and the inevitability of death, concepts she confronted regularly due to her declining health.

The woodcut “Bloem” is emblematic of de Graag’s artistic ethos, where natural forms are simplified yet imbued with emotional depth. The piece is a striking example of her connection to the Art Nouveau style, known for its organic forms and flowing lines. De Graag’s work, including “Bloem”, resonates with themes of life and fragility, emphasizing the delicate balance between beauty and decay in nature. Her contributions to graphic arts have earned her recognition as a significant figure in Dutch art history, though her mental and physical struggles have often overshadowed her public legacy.

This woodcut was made using paper and measures 23 cm x 22.5 cm (9.06 inches x 8.86 inches). The woodcut technique, involving carving a design into a wooden surface, allowed de Graag to produce sharp, bold lines that highlight the contrast between the subject and its background. The piece is a testament to her technical skill in handling this medium, which was a popular choice among printmakers of her time.

The artwork was donated to the collection of the Kröller-Müller Museum by the heirs of Julie de Graag in 1955. The print bears the collector’s mark “Lugt 2228,” stamped on the verso, indicating its authenticity and journey through private collections before arriving at its final home. Today, it remains part of the museum’s public domain holdings.