The Swan, No. 12 (1915 CE)
With its bold interplay of mirrored forms, luminous colors, and a precisely divided composition, the The swan no.12 invites contemplation of harmony, transformation, and the tension between opposing forces.
Oilpainting
Artworks crafted with oil paint, a medium prized for its depth and versatility. This category showcases the rich colors and textures of oil paintings across various styles and periods.
The Swan, No. 14 (1915 CE)
The painting's central forms and color harmonies evoke the "white stone" phase of alchemical transformation, symbolizing spiritual purification and the union of opposites en route to enlightenment, much like an inner journey toward the philosopher's stone.
The Swan, No. 17 (1915 CE)
In this painting from the swan series, the circle, divided yet whole, suggests that opposites are not endpoints but processes seeking unity.
The US Series, No. 7 (CE)
When the last brushstroke was set on No. 7 of the US series, the High Masters informed her that her commissioned work was finished, and she largely ceased creating large esoteric paintings thereafter.
Buddha’s Standpoint in the Earthly Life, No. 3a (1920 CE)
Painted in a restrained palette of black, white, beige and subtle metallic glints, the work feels both ancient and startlingly modern – a meditative mandala that invites contemplation of duality, balance and the path of the buddha toward enlightenment.
The US Series, No. 6 (1920-1922 CE)
Central crosses—one silver and ethereal above, one black and anchoring below—serve as focal points, surrounded by radiating floral motifs, stars, and circles that evoke cosmic expansion and inner transformation.
The Dove, No.2 (1915 CE)
Painted in just five intense days, this is the darkest and most dramatic picture in the entire 14-work the dove series and a powerful meditation on the moment when spirit touches matter.
The Swan, No.18 (1915 CE)
The swan no.18, at the very centre lies a multicoloured target of concentric rings against a red ground, and only when you come very close do you discover the painting’s secret heart..
The Swan, No.7 (1915 CE)
The painting immediately draws the viewer’s eye toward its center, where four elongated, abstract swan forms extend inward from each corner of the canvas, their beaks meeting at a single radiant point.
The Swan, No. 1 (1915 CE)
The swan, a painting that feels perfectly symmetrical yet vibrating with tension, like the moment before reconciliation or transcendence.
Jason and Medea (1907 CE)
This evocative artwork captures a pivotal moment between the hero Jason and the sorceress Medea.
The Temptation of Sir Percieval (1894 CE)
This dramatic work portrays in a pivotal moment in the quest for the Holy Grail, where the virtuous knight Sir Percieval faces a seductive temptation from a demonic figure disguised as a beautiful woman.