
Lion Attacking a Horse Statue (325–300 BCE)
This is Leone che azzanna il cavallo or Lion Attacking a Horse, now in the Exedra of Marcus Aurelius in the Capitoline Museums.

Three-dimensional works of art from various periods and regions, showcasing the skill of sculptors in stone, metal, and other materials. These pieces range from monumental figures to delicate carvings.

This is Leone che azzanna il cavallo or Lion Attacking a Horse, now in the Exedra of Marcus Aurelius in the Capitoline Museums.

This is Apollo from the west pediment of the Temple of Zeus at Olympia — a calm, square-shouldered god who raises his arm to still a raging battle

This marble portrait head captures Alexander the Great not as a battle-hardened warrior, but as a youthful, almost divine presence. The sculpture invites us into the world of Hellenistic idealism.

Standing before us is the upper half of a once-towering limestone statue—a bearded man frozen in solemn dignity. Carved more than 2,400 years ago on the island of Cyprus.

This finely carved marble head captures the Greek hero Herakles at his most human moment: exhausted after completing the twelve labors.

This colossal marble head is only 48 cm (18.9 in) high, yet it once belonged to a statue that stood on one of the Seven Wonders of the Ancient World..

Head, arms, and legs are gone, yet the fragment immediately reads as a faun—one of the wild, lustful woodland beings who followed Dionysus, god of wine.

A bearded votary figure stands still, wrapped in heavy folds of drapery, with almond-shaped eyes and a faint smile. His right arm is gone. The wreath on his head remains..

This bronze head of a youth does not merely stand in a museum vitrine. It stares at you. The empty eye sockets, the tightly waved hair, and the thin fillet tied around the head give it an intensity that is rare.