Bronze Barbarian (1-100 CE)

In Roman art, “barbarians” were a recurring motif used to define Roman identity through contrast. Clothing such as trousers (braccae), beards, long hair, and the soft conical Phrygian cap marked figures as foreign and non-Roman.

Date1-100 CE
Place of originRome, Italy
Culture/PeriodEarly Roman imperial period
Material/TechniqueBronze, lost-wax technique
Dimensions8.5 × 3.3 × 1.8 cm (3 3/8 × 1 5/16 × 11/16 inches)
Current locationThe Cleveland Museum of Art, Ohio, USA
Description

This small bronze figure, conventionally titled Barbarian, offers a vivid glimpse into how the Roman world viewed and represented foreign peoples at the height of imperial expansion. Despite its modest size, the figure is rich in detail and symbolism, likely once adorning an elaborate piece of parade equipment and serving as a visual statement of Roman power and conquest.

The figure dates to approximately 1–100 CE and was produced in Rome, Italy, during the early Roman Empire. It depicts a bearded foreign man, probably a Dacian, a people living north of the Danube in what is today mainly Romania. The subject matter closely relates to the Dacian Wars fought by Emperor Trajan (reigned 98–117 CE) in 101–102 and 105–106 CE, campaigns that ended with the Roman conquest and annexation of southern Dacia. These wars were of enormous political and economic importance, bringing vast wealth to Rome and marking the empire’s greatest territorial extent. Although the object may slightly predate Trajan’s reign, its iconography strongly reflects the visual language developed during and just after these conflicts.

The figure is believed to have decorated an ornate parade breastplate for a horse, possibly used in triumphal processions through Rome. During Trajan’s triumph, celebrations reportedly lasted for 123 days and included spectacles with thousands of animals and gladiators. In such ceremonies, representations of defeated peoples—sometimes real captives, sometimes symbolic figures like this one—played a central role in communicating victory to the Roman public.

In Roman art, “barbarians” were a recurring motif used to define Roman identity through contrast. Clothing such as trousers (braccae), beards, long hair, and the soft conical Phrygian cap marked figures as foreign and non-Roman. The Phrygian cap, while also associated with freedom in other Roman contexts, here signals eastern or northern “otherness.” Depictions of Dacians appear frequently on monuments such as Trajan’s Column (completed c. 113 CE), where they are shown with distinctive weapons and dress. This bronze figure participates in the same visual tradition, reinforcing Rome’s self-image as a civilizing and conquering power.

The object is cast in bronze and measures approximately 8.5 × 3.3 × 1.8 cm (about 3 3/8 × 1 5/16 × 11/16 inches). The figure stands with the right hand raised—missing the index and little finger—and the left leg slightly bent. The lowered left hand once held an implement, indicated by fingers that still curve around an absent shaft. The careful rendering of clothing and posture suggests skilled craftsmanship despite the small scale.

The bronze is now in the collection of The Cleveland Museum of Art. It was acquired in 1987 through the J. H. Wade Fund. Earlier ownership and findspot are not fully documented, a common situation for small ancient bronzes that circulated on the art market before entering museum collections.

Object Products
CC0 public domain

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