
| Date | 1892 CE |
| Artist | Peder Severin Krøyer |
| Place of origin | Skagen, Denmark |
| Material/Technique | Oil on Canvas |
| Dimensions | 206 x 123 cm (81 x 48 in) |
| Current location | Skagens Museum, Denmark |
| Licence | CC0 |
On the shore at Skagen, in the hush of evening, Marie Krøyer stands with the dog Rap beside the fading sea, her figure held in the cool glow of dusk. Moonlight stretches across the water, and the beach seems to pause in that fleeting interval between day and night. In this luminous and deeply atmospheric painting, Peder Severin Krøyer captures not only the beauty of a Skagen summer evening, but also the stillness, intimacy, and delicate tonal harmony of the celebrated “blue hour.”
The Skagen Painters and Krøyer’s World
The painting emerged from the vibrant artistic community of the Skagen Painters, a group of mainly Danish artists who gathered in the fishing village of Skagen from the late 1870s onward. Peder Severin Krøyer (1851–1909), born in Stavanger, Norway, and raised in Copenhagen, was one of the central figures in this circle. He first visited Skagen in 1882 and, after marrying Marie Triepcke in 1889, settled there permanently. Created in 1892, the painting reflects Krøyer’s fascination with Skagen’s singular light, shaped in part by his exposure to Impressionism during travels in France. It also captures a personal world, since Krøyer often painted his wife and scenes from their shared life against the natural setting of Skagen. Their marriage, however, later grew strained, especially after the onset of Krøyer’s mental illness around 1900, which eventually led to their separation.
Exhibition, Sale, and Personal Resonance
One especially telling episode in the painting’s history concerns its sale in 1893. After being shown at Den Frie Udstilling in Copenhagen, it was exhibited in Munich, where a German art enthusiast bought it for 1000 kroner more than the price it was expected to fetch in Denmark. Krøyer expressed mixed feelings about this outcome: he would have preferred the painting to remain in a Danish museum, yet he was also pleased by the strong response it received abroad. Another poignant aspect of the work lies in Marie Krøyer’s own artistic life. Although she had trained as a painter, she largely gave up her own practice after marrying Krøyer, whom she considered the greater artist.
Light, Atmosphere, and the Skagen Ideal
The painting holds a significant place within the work of the Skagen Painters, embodying their devotion to the effects of light and the poetry of local life. It reflects the influence of Impressionism on Krøyer, especially in its rendering of the “blue hour,” that brief moment at dusk when the landscape is suffused with a cool, silvery blue. This sensitivity to atmosphere gives the painting an important place in Danish art as both a celebration of natural beauty and a meditation on intimate human presence. The composition, with Marie’s pale figure set against the nearly monochrome sea, conveys a mood of calm reflection, in keeping with the Skagen Painters’ gift for blending personal experience with the surrounding landscape. Its exhibition history, from Copenhagen to Paris, also points to its wider resonance in European artistic circles, where it was at times compared to works by painters such as Paul-Albert Besnard.
Canvas, Composition, and the Blue Hour
The painting is executed in oil on canvas and measures 206 x 123 cm (81 x 48 in.). Its composition uses a broad, relatively flat background to intensify the sense of depth created by the reflection of moonlight on the sea. The horizon line, placed just above Marie’s head, heightens the clarity and radiance of her figure, revealing Krøyer’s subtle command of natural light and spatial balance.
From Copenhagen to Skagens Museum
After its debut at Den Frie Udstilling in 1893, the painting was exhibited in Munich, where it was sold to a German banker named Steinbart. Krøyer later helped arrange for its return to Denmark when Steinbart offered it for sale in 1900. Heinrich Hirschsprung then enabled J. C. Jacobsen to acquire it for the Ny Carlsberg Glyptotek in early 1902. Since 1937, the painting has been on loan to Skagens Museum, where it remains one of the collection’s most cherished highlights.
-
P.S. Krøyer – Summer evening at Skagen (1892) Framed poster
€39,00 -
P.S. Krøyer – Summer evening at Skagen (1892) Unisex classic t-shirt
Price range: €22,00 through €25,00 -
P.S. Krøyer – Summer evening at Skagen (1892) Unisex Hoodie
Price range: €42,00 through €45,00 -
P.S. Krøyer – Summer evening at Skagen (1892) White glossy mug
€12,00








