
| Date | 1914-1915 CE |
| Artist | Hilma af Klint |
| Place of origin | Sweden |
| Material/Technique | Oil on canvas |
| Dimensions | 154 x 154 cm or 60.6 x 60.6 inches. |
| Current location | The Hilma af Klint Foundation, Stockholm, Sweden |
Svanen nr. 10, or “The Swan No. 10,” is a compelling artwork by Hilma af Klint that offers a profound insight into the complexities of abstract art. Far more than a simple depiction of a swan, this piece is imbued with deep symbolism and philosophical significance, inviting viewers to engage in a thoughtful exploration of themes such as spiritual growth, transformation, and enlightenment.
Created between 1914 and 1915, “The Swan No. 10” belongs to a period when Hilma af Klint was actively exploring abstract art and metaphysical concepts. Af Klint, who is now regarded as a pioneer of abstract art, produced this piece during a time when such artistic expressions were largely unrecognized and misunderstood. The painting forms part of a larger series that reflects her deep interest in spiritualism, Theosophy, and the interconnectedness of all things. In her work, she sought to transcend traditional art norms, presenting a visual language that could convey spiritual truths.
Hilma af Klint’s creative process was often guided by spiritual inspiration. It is said that she believed she was receiving instructions from higher spiritual beings or “guides” who directed her to produce works of art that could help humanity understand and evolve. She rarely exhibited her abstract works during her lifetime, feeling that the world was not ready for them.
The swan in her painting serves as a metaphor for transformation and evolution, aligning with her belief in the spiritual progression of the soul. The division of the canvas into two contrasting sections – light and dark, male and female, life and death – underscores the dualities that define existence and the balance that sustains it.
“The Swan No. 10” is an oil painting on canvas, measuring 154 x 154 cm or 60.6 x 60.6 inches. The composition features a horizontal line that divides the canvas into two sections, where opposing forces meet. This deliberate structural element not only enhances the visual impact of the painting but also reflects the thematic exploration of dualities and opposing forces. The color palette is carefully chosen to embody these contrasts, further highlighting the painting’s metaphysical dimensions.
The artwork is currently held by the Hilma af Klint Foundation in Stockholm, which is dedicated to preserving and promoting the artist’s work.
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