Sheffield Cross Shaft (800s CE)
This is the lower part of a free-standing Anglo-Saxon stone cross, carved from sandstone in the early 9th century.
Tag Christianity
Christianity, emerging in the 1st century CE in the Roman Empire, spread globally, shaping art, architecture, and culture. From early catacomb frescoes to grand cathedrals, it reflects a rich tradition of faith and symbolism.
Farm Garden with Crucifix (1911-1912 CE)
Gustav Klimt’s Farm Garden with Crucifix — in German, Bauerngarten mit Kruzifix — is a square summer landscape in which a rural wayside shrine nearly disappears into flowers.
Bedouins at the Tomb of Lazarus (1890s CE)
This image depicts a group of Bedouins—men, women, and children in traditional attire—gathered outside the entrance to what is believed to be the tomb of Lazarus, the biblical figure famously resurrected by Jesus.
Horn of Saint Blaise (1100–1200 CE)
This exquisite horn, dating back to the 12th century, showcases intricate carvings that blend cultural influences from across the Mediterranean, inviting us to explore a world of historical fusion where Arab craftsmanship met Christian relic veneration.
Portable Altar of Countess Gertrude (c. 1045 CE)
The portable altar was commissioned by Countess Gertrude of Brunswick, a member of the powerful Guelph dynasty, one of the most influential noble families in the medieval Holy Roman Empire.
Arm Reliquary of the Apostles (c. 1190 CE)
Shaped like a clothed human forearm with an outstretched right hand in a gesture of blessing, this reliquary was designed to house a sacred relic—in this case, a portion of an unidentified saint’s arm bone.
Enthroned Virgin with Christ Child (c. 1400CE)
Crafted in limestone with bright polychromy (multiple colors) and gilding, this enthroned virgin blends tenderness with deep theological meaning, making it a poignant example of late medieval devotional art.
The US Series, No. 7 (1920 CE)
When the last brushstroke was set on No. 7 of the US series, the High Masters informed her that her commissioned work was finished, and she largely ceased creating large esoteric paintings thereafter.
Satan (1835 CE)
Created around 1835, this evocative satan sculpture captures the Romantic era’s fascination with emotion, rebellion, and the humanized anti-hero.
Hereford Mappa Mundi (Late 1200s CE)
A medieval world map on vellum, centering Jerusalem and blending geography, religion, and mythology called the Hereford Mappa Mundi.
Tannhäuser in Venusberg (1901 CE)
A vivid Pre-Raphaelite oil painting portraying the knight Tannhäuser enthralled by Venus and her nymphs in a opulent, mythical underworld.
Study For The Blessed Alessandro Sauli (1663-1668 CE)
This terracotta bozzetto by Pierre Puget (1663–1668) is a preparatory study model for a marble statue of Alessandro Sauli.
Monstrance and Paten of Saint Bernward (1180-1190 CE)
Crafted c. 1180–1190, this German monstrance of gilded silver and crystal holds Saint Bernward’s paten.
Monstrance With a Relic of St Sebastian (1484 CE)
Crafted in 1484, this Brunswick monstrance of gilded silver and crystal encases Saint Sebastian’s relic.
Beth Misona Treasure Chalice (c.500-700 CE)
The Beth Misona chalice was forged c. 500–700 CE, this Byzantine silver chalice from Syria shows portraits of saints and Christ.