Primordial Chaos, No. 16 (1906-1907 CE)

Urkaos, nr 16  or Primordial Chaos, No. 16 is a compelling work of abstract art that exemplifies Hilma af Klint’s innovative approach to visual expression. This painting, part of her Primordial Chaos series, is distinguished by its dynamic composition and symbolic use of color and form, offering a visual representation of the chaotic forces at play in the creation of the universe.

Created between 1906 and 1907, Primordial Chaos, No. 16 is one of 26 canvases in the Primordial Chaos series, which itself is part of af Klint’s larger project, The Paintings for the Temple. This series marked af Klint’s first major exploration into abstract art, a movement that was virtually unprecedented at the time. The painting was created during a period when abstract art was still in its infancy, making it a groundbreaking work within the context of early 20th-century art.

While af Klint rarely exhibited her work during her lifetime, Primordial Chaos, No. 16 is imbued with personal and esoteric significance. The artist’s interest in Theosophy—a religious and philosophical movement—deeply influenced this series. The painting reflects the Theosophical concept of a shattered oneness at the beginning of creation, with life seen as a quest to reunite these divided forces. This philosophical underpinning adds a layer of meaning to the seemingly abstract forms depicted in the work.

Primordial Chaos, No. 16 is a pivotal piece in the development of abstract art. The painting embodies af Klint’s attempt to convey complex spiritual and philosophical ideas through a visual language of abstract symbols. The work’s significance lies in its departure from traditional, representational art, embracing abstraction to illustrate concepts such as the duality and unity of existence. This painting not only challenged contemporary notions of art but also laid the groundwork for future abstract movements.

This oil on canvas measures 20.9 × 14.6 inches (53 × 37 cm). The composition features swirling forms and vibrant colors that suggest a primordial energy or chaos. The abstract shapes in the painting appear to be in a state of flux, representing the dynamic process of creation. The use of color and form is deliberate, with af Klint employing a visual language that defies literal interpretation, instead evoking a sense of cosmic turmoil and transformation.

Primordial Chaos, No. 16 is part of the collection of The Hilma af Klint Foundation, based in Stockholm, Sweden. The foundation holds and preserves the works of Hilma af Klint, which were largely unknown to the public until several decades after her death. This painting, like much of af Klint’s work, has since gained recognition and is now considered a seminal piece in the history of modern art.