Camaret, Moonlight and Fishing Boats (1894)
An oil painting from 1894, capturing Brittany’s serene harbor under moonlight, crafted with Pointillist precision, blending cool tones with luminous warmth.
Art
An expansive array of artistic creations, including paintings, sculptures, and decorative objects from various eras. These works capture the beauty, emotion, and creativity of artists throughout human history.
Calais Pier, with French Poissards preparing for Sea: an English Packet arriving (1803)
An oil painting from 1803, depicting Calais pier on a stormy day with boats and a pier, textured with thick brushwork and layered paint.
The Dogana and San Giorgio Maggiore (1834)
An oil painting from 1834, showing a Venetian canal with sailboats and buildings, layered with glowing colors and light effects.
The Fishmarket at Hastings Beach (1810)
An oil painting from 1810, portraying a coastal fishmarket scene, executed with fluid brushwork and a clouded sky.
Ancient Rome; Agrippina Landing with the Ashes of Germanicus (1839)
An oil painting from 1839, depicting ancient Rome and Agrippina’s return with Germanicus’s ashes, arranged with a moonlit sky and Roman architecture.
Crossing The Brook (1815)
An oil painting from 1815, showing a river scene with trees and a bridge, framed with shadow contrasts and water reflections.
Dido Building Carthage (1815)
An oil painting from 1815, portraying Dido overseeing Carthage’s construction, rendered with a bright sunrise and detailed figures.
Apullia In Search of Appullus (1814)
One of the painting’s most revealing features is that Apullia herself is Turner’s invention. She does not appear in Ovid’s version of the story.
Rhodes (1823-1824)
A watercolor and gouache painting from 1823–1824, depicting the city of Rhodes, layered with washes and opaque highlights.
Harbor of Dieppe: Changement de Domicile (1826)
This oil painting frames the busy Dieppe port at dawn, casting light and shadow across a lively harbor scene.
Fishermen At Sea (1796 CE)
Unveiled in 1796, this oil painting catches fishermen facing rough waves under moonlight, highlighting nature’s force with sharp contrasts.
The Swan, No. 9 (1914-1915 CE)
Drawn up between October 1914 and March 1915, this painting pits a white swan against a black one, using geometric shapes to signal duality.