The Dove, No.2 (1915 CE)
Painted in just five intense days, this is the darkest and most dramatic picture in the entire 14-work the dove series and a powerful meditation on the moment when spirit touches matter.
Hilma af Klint
Artworks by Hilma af Klint, a pioneering Swedish artist celebrated for her abstract and mystical paintings. Her visionary creations, often inspired by spiritualism, predate modern abstract art and explore the unseen realms of existence.
The Swan, No.18 (1915 CE)
The swan no.18, at the very centre lies a multicoloured target of concentric rings against a red ground, and only when you come very close do you discover the painting’s secret heart..
The Swan, No.7 (1915 CE)
The painting immediately draws the viewer’s eye toward its center, where four elongated, abstract swan forms extend inward from each corner of the canvas, their beaks meeting at a single radiant point.
The Swan, No. 1 (1915 CE)
The swan, a painting that feels perfectly symmetrical yet vibrating with tension, like the moment before reconciliation or transcendence.
The Ten Largest, No. 10, Old Age (1907 CE)
This painting has reached complete stillness: every line is measured, every circle drawn with a compass, every form balanced as though the entire universe has finally come to rest in harmonious resolution.
The Ten Largest, No. 9, Old Age (1907 CE)
This work depicts the final stage of human life—old age—not as decline, but as a profound phase of spiritual integration and unity.
The Ten Largest, No. 8, Adulthood (1907 CE)
The recurring letters "u" (spirit), "w" (matter), and "s" function not as a rigid code but as flexible mantras, akin to "ohm" in yoga.
The Ten Largest, No. 7, Adulthood (1907 CE)
This expansive piece, showcases letter-like symbols—including the distinctive word "vestalasket" (interpreted as "Vestal ascetic").
The Ten Largest, No. 6, Adulthood (1907 CE)
Created in 1907, this large-scale painting evokes themes of growth, duality, and the mysteries of adult life.