Harbor of Dieppe: Changement de Domicile (1826)
This oil painting frames the busy Dieppe port at dawn, casting light and shadow across a lively harbor scene.
Fishermen At Sea (1796 CE)
Unveiled in 1796, this oil painting catches fishermen facing rough waves under moonlight, highlighting nature’s force with sharp contrasts.
The Swan, No. 9 (1914-1915 CE)
Drawn up between October 1914 and March 1915, this painting pits a white swan against a black one, using geometric shapes to signal duality.
The Ten Largest, No. 2, Childhood (1914-1915 CE)
Finished in 1907, this tempera work on paper stretches across a large canvas, using spirals and botanical shapes to explore the theme of childhood in the ten largest series.
The Swan No. 10 (1914-1915 CE)
The swan no.10 is imbued with deep symbolism and philosophical significance, inviting viewers to engage in a thoughtful exploration of themes such as spiritual growth, transformation, and enlightenment.
Head of Alexander the Great (200-300 BCE)
Carved between 300 and 200 BCE, this marble head presents Alexander the great with his signature hairstyle and a tilted gaze, capturing his youthful image.
The Seven-Pointed Star No. 1 (1908 CE)
Completed in 1908, a seven-pointed star tempera and gouache work on paper traces spiraling lines that spread outward, blending spiritual motifs with abstract design.
Tree of Knowledge No. 5 (1915 CE)
Made between 1913 and 1915, this watercolor of the tree of knowledge and pencil work shows a split tree framed by geometric shapes, reflecting themes of duality.
The Dove, No. 1 (1915 CE)
Unveiled in 1915, The dove weaves oil into a vivid tapestry of blue, yellow, pink, and red, with shells and spirals echoing themes of spirit and growth.