
Enthroned Plank Idol (c.650 BCE)
This ceramic plank idol was made in Boeotia in the middle of the 6th century BC, though its type reaches back to traditions formed after the middle of the 7th century BC.

Beliefs about the afterlife have played a central role in many religious and cultural traditions. Artistic and historical objects connected to this theme often reflect ideas about death, the soul, and the continuation of existence beyond the physical world, revealing how different societies have imagined life after death.

This ceramic plank idol was made in Boeotia in the middle of the 6th century BC, though its type reaches back to traditions formed after the middle of the 7th century BC.

This image depicts a group of Bedouins—men, women, and children in traditional attire—gathered outside the entrance to what is believed to be the tomb of Lazarus, the biblical figure famously resurrected by Jesus.

Depicting an egyptian street vendor surrounded by mummified bodies and artifacts for sale, this image evokes the era's fascination with Egyptomania, blending curiosity, exploitation, and a disregard for cultural heritage.

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Despite its modest size, the figure of a man offers a vivid entry point into Egyptian beliefs about the afterlife, where images were not merely symbolic but actively participated in ensuring eternal existence.

Crafted in Attic ceramic tradition, this lekythos not only served practical purposes but also embodied the artistic pinnacle of late Archaic Greece, blending heroism and sensuality in a way that invites viewers to explore ancient myths and daily life.

Drawing from Greek mythology, as depicted in Homer’s Odyssey and Virgil’s Aeneid, the work portrays the river Acheron as the boundary between life and death, with Hermes Psychopompos guiding souls to their final passage.

In ancient Egypt, stelae ensured the deceased’s memory and sustenance in the afterlife through offerings of bread, beer, and meat. This one, dedicated to Pasherienimhotep is a well preserved gem.