
Samothracian Marble Gable (c.150-125 BCE)
This marble gable figure once formed part of the sculptural decoration of the Hieron in the Sanctuary of the Great Gods on Samothrace.

Ancient Greece refers to the civilization that flourished in the Mediterranean from roughly the early first millennium BCE until the rise of Roman dominance. Greek culture had a lasting influence on art, philosophy, politics, and architecture, and its material remains continue to shape our understanding of the classical world.

This marble gable figure once formed part of the sculptural decoration of the Hieron in the Sanctuary of the Great Gods on Samothrace.

A fragmentary draped marble statue that preserves the torso of a standing female figure, wrapped in deeply carved layers of drapery. Although the head, arms, lower legs, and feet are missing, the surviving body still gives a strong impression of elegance and dignity.

A marble torso from Delos that preserves only part of a female figure, yet still conveys much of the statue’s original impact. The soft modeling of the abdomen, hips, and thighs gives the body a natural, sensuous presence..

A marble grave statue that turns the quiet pose of a female servant into the whole meaning of the work. Made in Attica, Greece, around 330–320 BC.

Behold an Attic funerary statue that turns a simple gesture into the whole emotional center of the work. Dated to about 360 BCE, it shows a young mourning girl with her head resting on her hand.

This marble head belonged to a sphinx that crowned the roof of the Temple of Aphaia on Aegina, probably at one of the temple’s corners, and is usually dated to about 500–490 BCE.

This over-life-size wounded Amazon captures a figure at the edge of collapse without surrendering her dignity. Wounded beneath the right breast, deprived of her weapons, and leaning lightly against a now missing support.

This Attic red-figure kylix, attributed to Douris and dated to about 470 BCE, turns a drinking vessel into a carefully staged image of human encounter.

Made in Apulia around 340–320 BCE, this bull’s head rhyton shows how inventive South Italian pottery could be in the late Classical period. The vessel combines an animal-shaped form with red-figure decoration and added paint.