
Wounded Amazon (c. 100-130 CE)
The so-called Wounded Amazon from Écija is a Roman copy of a Classical Greek prototype, showing a female warrior leaning wearily against a support, her body marked by injury yet composed with striking calm.

A collection of artifacts from across Europe, spanning its diverse histories and cultures. This category reflects the continent’s role as a cradle of art, innovation, and conflict through the ages.

The so-called Wounded Amazon from Écija is a Roman copy of a Classical Greek prototype, showing a female warrior leaning wearily against a support, her body marked by injury yet composed with striking calm.

This fragmentary marble statuette represents Aphrodite, known to the Romans as Venus, in a semi-nude form that remained deeply influential across the ancient Mediterranean.

Seated on a throne and holding a feline companion, Cybele appears not as an ordinary woman but as a divine presence marked by authority, protection, and command over the natural world.

The figure is a so-called Phi-type, named after the resemblance of its silhouette to the Greek letter Φ, and it offers a revealing glimpse into how femininity, care, and cult practice could be expressed in the Mycenaean world.

This ceramic plank idol was made in Boeotia in the middle of the 6th century BC, though its type reaches back to traditions formed after the middle of the 7th century BC.

The high and elaborate headdress and crown is unlikely to be merely fashionable adornment. It most probably represents a mural crown, the crown of city walls and towers, which in the Greek and Roman world marked a female figure as divine.

This small black-figure incense vessel opens onto a world in which religion was experienced through smoke, fragrance, and image as much as through words or gesture.

This Omphalos stands at the center of the earth, the point where Zeus marked the world’s navel and where Apollo’s oracle gave voice to divine knowledge.

Woman Seated on a Bench was created around the fourth to third century BCE, in the period between the late Classical and Hellenistic ages. This was a moment when small terracotta figures became especially popular across the Greek world.