The Swan, No.7 (1915 CE)
The painting immediately draws the viewer’s eye toward its center, where four elongated, abstract swan forms extend inward from each corner of the canvas, their beaks meeting at a single radiant point.
Europe
A collection of artifacts from across Europe, spanning its diverse histories and cultures. This category reflects the continent’s role as a cradle of art, innovation, and conflict through the ages.
The Swan, No. 1 (1915 CE)
The swan, a painting that feels perfectly symmetrical yet vibrating with tension, like the moment before reconciliation or transcendence.
The Ten Largest, No. 10, Old Age (1907 CE)
This painting has reached complete stillness: every line is measured, every circle drawn with a compass, every form balanced as though the entire universe has finally come to rest in harmonious resolution.
The Ten Largest, No. 9, Old Age (1907 CE)
This work depicts the final stage of human life—old age—not as decline, but as a profound phase of spiritual integration and unity.
The Ten Largest, No. 8, Adulthood (1907 CE)
The recurring letters "u" (spirit), "w" (matter), and "s" function not as a rigid code but as flexible mantras, akin to "ohm" in yoga.
The Ten Largest, No. 7, Adulthood (1907 CE)
This expansive piece, showcases letter-like symbols—including the distinctive word "vestalasket" (interpreted as "Vestal ascetic").
The Ten Largest, No. 6, Adulthood (1907 CE)
Created in 1907, this large-scale painting evokes themes of growth, duality, and the mysteries of adult life.
The Ten Largest, No. 5, Adulthood (1907 CE)
Notably, the artwork incorporates cryptic letters, symbols, and forms—like snails symbolizing gradual development and crosses denoting divine connections.
The Ten Largest, No. 4, Youth (1907 CE)
Symbolically, the painting represents youth's lively energy and growth, with motifs like spirals (symbolizing progress and personal development), shells, flowers, and segmented circles evoking organic and cosmic forms.