Church in Cassone (1913 CE)
Kirche in Cassone — also known as Church in Cassone or Landscape with Cypresses — shows the hillside hamlet of Cassone stacked like a mosaic.
Landscape
Artworks and objects inspired by natural scenery, from paintings to carved reliefs. This category captures humanity’s fascination with the beauty and power of the earth’s vistas across cultures.
Approaching Thunderstorm (The Large Poplar II) (1903 CE)
Gustav Klimt’s Approaching Thunderstorm (The Large Poplar II) does not offer the golden shimmer or sunlit gardens for which he is most famous.
At Lake Attersee (1900 CE)
In the summer of 1900 Gustav Klimt pointed his gaze at Lake Attersee and painted almost nothing else. The resulting picture is known as At Lake Attersee or Am Attersee.
Sower at Sunset (1888 CE)
You are immediately drawn into Vincent van Gogh’s The Sower. Painted in June 1888, this oil-on-canvas work captures a solitary figure striding across a vast, freshly ploughed field under a radiant, almost explosive yellow sun.
The Garden at the Asylum at Saint-Rémy (1889 CE)
In May 1889, Vincent van Gogh painted a remarkable view of the the Garden at the asylum. Thick brushstrokes transform what could have been a sad or restricted setting into something full of life..
The Siesta (1891 CE)
Painted in late 1889 and early 1890, The Siesta (also known as La Méridienne or La Sieste) is not a quiet copy of an earlier work. It is a bold explosion of complementary colors and expressive brushstrokes.
The Poplars at Saint-Rémy (1889 CE)
Vincent van Gogh’s The Poplars at Saint-Rémy captures a seemingly simple view of two poplar trees in the countryside of southern France, yet the painting is charged with movement, emotion, and atmosphere.
Field with Poppies (1889 CE)
In Field with Poppies (1889), Vincent van Gogh presents a landscape that feels less observed than experienced. A wide Provençal field is animated by scattered red poppies that seem to pulse against the green ground..
River Construction Landscape (1924 CE)
An evocative oil painting that constructs an abstract landscape with mosaic-like colors and symbolic forms.