The Swan, No. 12 (1915 CE)
With its bold interplay of mirrored forms, luminous colors, and a precisely divided composition, the artwork invites contemplation of harmony, transformation, and the tension between opposing forces.
Oilpainting
Artworks crafted with oil paint, a medium prized for its depth and versatility. This category showcases the rich colors and textures of oil paintings across various styles and periods.
The Swan, No. 14 (1915 CE)
The painting's central forms and color harmonies evoke the "white stone" phase of alchemical transformation, symbolizing spiritual purification and the union of opposites en route to enlightenment, much like an inner journey toward the philosopher's stone.
The Swan, No. 17 (1915 CE)
The circle, divided yet whole, suggests that opposites are not endpoints but processes seeking unity.
The Seven Pointed Star, No. 14 (1908 CE)
Set against a light beige ground, the work feels like a secret diagram of the universe: intimate in scale yet infinite in implication.
The US Series, No. 7 (CE)
When the last brushstroke was set on No. 7, the High Masters informed her that her commissioned work was finished, and she largely ceased creating large esoteric paintings thereafter.
Buddha’s Standpoint in the Earthly Life, No. 3a (1920 CE)
Painted in a restrained palette of black, white, beige and subtle metallic glints, the work feels both ancient and startlingly modern β a meditative mandala that invites contemplation of duality, balance and the path toward enlightenment.
The US Series, No. 6 (1920-1922 CE)
Central crossesβone silver and ethereal above, one black and anchoring belowβserve as focal points, surrounded by radiating floral motifs, stars, and circles that evoke cosmic expansion and inner transformation.
The Dove, No.2 (1915 CE)
Painted in just five intense days, this is the darkest and most dramatic picture in the entire 14-work βDoveβ series and a powerful meditation on the moment when spirit touches matter.
Jason and Medea (1907 CE)
This evocative artwork captures a pivotal moment between the hero Jason and the sorceress Medea.
The Temptation of Sir Percieval (1894 CE)
This dramatic work portrays a pivotal moment in the quest for the Holy Grail, where the virtuous knight Sir Percival faces a seductive temptation from a demonic figure disguised as a beautiful woman.
Souls On The Banks of the Acheron (1898 CE)
Drawing from Greek mythology, as depicted in Homerβs Odyssey and Virgilβs Aeneid, the work portrays the river Acheron as the boundary between life and death, with Hermes Psychopompos guiding souls to their final passage.
Samson’s Riddle (1638 CE)
The composition, illuminated by Rembrandtβs masterful play with light and darkness, draws the viewer into a scene fraught with anticipation, betrayal, and impending conflict, offering a glimpse into the psychological complexity of its characters.