The Ten Largest, No. 1, Childhood (1907 CE)
The ten largest no.1 radiates a rhythmic, organic energy that captures childhood as a state of spiritual innocence and cosmic awakening.
Private Collection
Artifacts and artworks from private collections, showcasing rare and exquisite objects amassed by individuals across history.
Rustam Killing The White Div (1560-1580 CE)
This particular Rustam illustration, created in Shiraz, a major center for manuscript production, reflects the Safavid era’s emphasis on cultural identity and artistic excellence.
Jason and Medea (1907 CE)
This evocative artwork captures a pivotal moment between the hero Jason and the sorceress Medea.
He Didn’t Rest A Moment Until He Arrived At Dusk (1912 CE)
The tale unfolds in an enchanted, mystical world where nature plays an active role, and Mino’s ride through a dark, starlit forest at night becomes a symbolic journey before he arrived at dusk.
An Old Troll (1911 CE)
Adorned with a simple crown and thick gold arm rings, the troll is accompanied by three enigmatic ravens, set against a shadowy background that evokes a mystical and suggestive atmosphere.
Sami In Snowstorm (1904-1905 CE)
This artwork vividly captures the rugged beauty of the northern Swedish landscape and the resilience of the Sami people.
Holiday Reading (1916 CE)
A watercolor and gouache on paper, capturing wife Karin and son Esbjörn doing some holiday reading in a sunlit garden.
Circe (1885 CE)
A preraphaelite oil painting portraying the seductive enchantress Circe from Homer’s Odyssey surrounded by symbols of her transformative magic
Ariadne (1898 CE)
The painting draws from the Greek myth of Ariadne, daughter of King Minos of Crete, who aided Theseus in defeating the Minotaur only to be abandoned by him on the island of Naxos.
Summer (1884 CE)
This work, painted with oil on canvas, showcases Collin’s mastery of academic art, characterized by summer and its harmonious composition and luminous palette.
A Norwegian Fjord in Summer (1882 CE)
This artwork, with its tranquil fjord, majestic mountains, and soft Nordic light, encapsulates the romantic allure of Norway’s landscapes.
Summer (1898 CE)
This scene, bathed in the soft light of a New England summer, showcases Weir’s skill in blending portraiture with landscape.