
Octafoil-Shaped Mirror Featuring Ci Fei (900-1400 CE)
Its polished front served as a reflective surface, while the intricately decorated back tells a heroic tale, making it both a functional and symbolic object dedicated to Ci Fei.

This category includes antiquities from the vast and culturally diverse regions of Asia. The objects illustrate long-standing artistic traditions and the ways in which material culture expressed religious ideas, social values, and connections between communities across time.

Its polished front served as a reflective surface, while the intricately decorated back tells a heroic tale, making it both a functional and symbolic object dedicated to Ci Fei.

Through her poised expression and confident gesture, the goddess Uma sculpture invites viewers to explore themes of feminine power, creation, and cosmic harmony, offering a window into the rich interplay of Hinduism and Buddhism in medieval Nepal.

This Ding tripod not only served practical purposes but also embodied transcendent concepts, acting as a symbolic messenger from otherworldly realms, captivating us with its blend of artistry and enigma.

This artifact not only showcases Ming Dynasty artistry but also invites us to explore how ancient myths like the qilin were woven into imperial symbolism to promote moral and political ideals.

The Eleven-Headed Guanyin is a striking wooden sculpture from China, dating to the late Northern Song dynasty.

Created in the 7th century during the Mon-Dvaravati period, this teaching buddha emerged in central Thailand, a hub of Mon kingdoms.

This wooden statue, adorned with lacquer and rock-crystal inlaid eyes depicts Prince ShΕtoku Taishi at age two.

This atlas figure blends Greek mythological motifs with Buddhist iconography, showcasing the cultural crossroads of the Kushan Empire.

The statue depicts Vajrasattva holding a vajra (thunderbolt) in the right hand and a ghanta (bell) in the left.