
Ibis Eating a Lizard (100 BCE – 100 CE)
This Ibis, dating to around 100 BC to AD 100, blends exotic Egyptian symbolism with Roman artistic flair, offering a glimpse into the cultural exchanges of the ancient world.

Relics from the mighty Roman Empire, including coins, household items, and decorative pieces. These artifacts provide a glimpse into the daily life, military might, and vast influence of Rome across the ancient world.

This Ibis, dating to around 100 BC to AD 100, blends exotic Egyptian symbolism with Roman artistic flair, offering a glimpse into the cultural exchanges of the ancient world.

Thos olpes pear-shaped body, high curved handle, and intricate relief decorations featuring Dionysian themes make it a striking example of functional art that blended utility with symbolic elegance.

Far larger and more elaborate than typical everyday roman clay lamps, it combines practical function with high artistic quality, serving as both a source of light and a luxurious decorative object.

This small silver Vicarello drinking cup, discovered near ancient thermal springs north of Rome, features a finely detailed relief scene depicting a rustic ritual in honor of Priapus, the Roman god of fertility, gardens, and male sexuality.

This elegant, fragmentary venus piece captures the graceful contrapposto pose and idealized nude female form characteristic of classical Greek sculpture, specifically inspired by Praxiteles's renowned Aphrodite of Knidos (ca. 350 BCE).

In Roman art, βbarbariansβ were a recurring motif used to define Roman identity through contrast. Clothing such as trousers (braccae), beards, long hair, and the soft conical Phrygian cap marked figures as foreign and non-Roman.

The Head of Apollo is a Roman marble sculpture from the 1stβ2nd century CE.

The Bronze Statuette of Hercules, a Roman sculpture from 30 BCE to 20 CE, showcases the hero in a contrapposto pose with the Nemean Lionβs skin, reflecting Roman artistry and reverence for his legendary strength.

A marble sculpture from the 3rd century, presenting two theatrical masks, carved with detailed features in Roman style.

A marble head from 64β79 CE, showing Emperor Vespasianβs features, reworked from a Nero portrait with altered hair and facial details.

A marble bust from 50β70 CE, depicting Claudia Octavia with intricate coiffure, carved with detailed hair and stola.

A marble figure from AD 100β200, depicting Apolloβs torso with kithara remnants, carved with detailed musculature.